Ruby My Dear in G

Thelonious Monk(1947)balladBallad
G
Instrument
GuitarUkuleleBassPiano
A
A
B
A
GMaj7
FMaj7
Em7
D♯Maj7
Dm7
G7
Cm7
F7
Bm7
E7
A♯m7
D♯7
Am7
D7
GMaj7
FMaj7
Em7
D♯Maj7
Dm7
G7
Cm7
F7
Bm7
E7
A♯m7
D♯7
Am7
D7
Gm7
C7
FMaj7
A♯m7
D♯7
G♯Maj7
Am7♭5
D7♭9
Am7
D7
GMaj7
FMaj7
Em7
D♯Maj7
Dm7
G7
Cm7
F7
Bm7
E7
A♯m7
D♯7
Am7
D7

Chord Diagrams — Ruby My Dear in G (Guitar)

Ruby My Dear in G

One of Monk's most beautiful ballads with cascading chromatic chord pairs, showcasing his tender side beneath the angular exterior.

Ruby My Dear in G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to F (descending whole step), F to E (descending half step), E to D# (descending half step), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to B (ascending tritone), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to G# (descending major third), G# to A (ascending half step), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: GMaj7, FMaj7, Em7, D♯Maj7, Dm7, G7, Cm7, F7, Bm7, E7, A♯m7, D♯7, Am7, D7, Gm7, C7, G♯Maj7, Am7♭5, D7♭9.