Ruby My Dear in G#

Thelonious Monk(1947)balladBallad
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
G♯Maj7
F♯Maj7
Fm7
EMaj7
D♯m7
G♯7
C♯m7
F♯7
Cm7
F7
Bm7
E7
A♯m7
D♯7
G♯Maj7
F♯Maj7
Fm7
EMaj7
D♯m7
G♯7
C♯m7
F♯7
Cm7
F7
Bm7
E7
A♯m7
D♯7
G♯m7
C♯7
F♯Maj7
Bm7
E7
AMaj7
A♯m7♭5
D♯7♭9
A♯m7
D♯7
G♯Maj7
F♯Maj7
Fm7
EMaj7
D♯m7
G♯7
C♯m7
F♯7
Cm7
F7
Bm7
E7
A♯m7
D♯7

Chord Diagrams — Ruby My Dear in G# (Guitar)

Ruby My Dear in G#

One of Monk's most beautiful ballads with cascading chromatic chord pairs, showcasing his tender side beneath the angular exterior.

Ruby My Dear in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to F# (descending whole step), F# to F (descending half step), F to E (descending half step), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to F (ascending perfect fourth), F to B (ascending tritone), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to A (descending major third), A to A# (ascending half step), A# to D# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 32 bars · Form: AABA

Chords: G♯Maj7, F♯Maj7, Fm7, EMaj7, D♯m7, G♯7, C♯m7, F♯7, Cm7, F7, Bm7, E7, A♯m7, D♯7, G♯m7, C♯7, AMaj7, A♯m7♭5, D♯7♭9.