Satin Doll in E

Duke Ellington(1953)swingMedium Swing
E
Instrument
GuitarUkuleleBassPiano
A
A
B
A
F♯m7
B7
F♯m7
B7
G♯m7
C♯7
G♯m7
C♯7
C♯m7
F♯7
Cm7
F7
EMaj7
EMaj7
F♯m7
B7
F♯m7
B7
G♯m7
C♯7
G♯m7
C♯7
C♯m7
F♯7
Cm7
F7
EMaj7
EMaj7
Bm7
E7
Bm7
E7
AMaj7
AMaj7
C♯m7
F♯7
C♯m7
F♯7
F♯m7
B7
F♯m7
B7
F♯m7
B7
F♯m7
B7
G♯m7
C♯7
G♯m7
C♯7
C♯m7
F♯7
Cm7
F7
EMaj7
EMaj7

Chord Diagrams — Satin Doll in E (Guitar)

Satin Doll in E

Satin Doll in E with chords F#m7 – B7 – G#m7 – C#7 – C#m7 – F#7 – Cm7 – F7 – EMaj7 – Bm7 – E7 – AMaj7. Duke Ellington's masterclass in ii-V motion uses a series of ii-V pairs that create a sophisticated, floating harmonic feel. Explore chord diagrams and audio playback in E.

Satin Doll in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to F (ascending perfect fourth), F to E (descending half step), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to F# by minor third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: F♯m7, B7, G♯m7, C♯7, C♯m7, F♯7, Cm7, F7, EMaj7, Bm7, E7, AMaj7.