Satin Doll in G

Duke Ellington(1953)swingMedium Swing
G
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Am7
D7
Am7
D7
Bm7
E7
Bm7
E7
Em7
A7
D♯m7
G♯7
GMaj7
GMaj7
Am7
D7
Am7
D7
Bm7
E7
Bm7
E7
Em7
A7
D♯m7
G♯7
GMaj7
GMaj7
Dm7
G7
Dm7
G7
CMaj7
CMaj7
Em7
A7
Em7
A7
Am7
D7
Am7
D7
Am7
D7
Am7
D7
Bm7
E7
Bm7
E7
Em7
A7
D♯m7
G♯7
GMaj7
GMaj7

Chord Diagrams — Satin Doll in G (Guitar)

Satin Doll in G

Satin Doll in G with chords Am7 – D7 – Bm7 – E7 – Em7 – A7 – D#m7 – G#7 – GMaj7 – Dm7 – G7 – CMaj7. Duke Ellington's masterclass in ii-V motion uses a series of ii-V pairs that create a sophisticated, floating harmonic feel. Explore chord diagrams and audio playback in G.

Satin Doll in G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to B (descending minor third), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to G (descending half step), G to D (descending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to A by minor third.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: Am7, D7, Bm7, E7, Em7, A7, D♯m7, G♯7, GMaj7, Dm7, G7, CMaj7.