Satin Doll in G#

Duke Ellington(1953)swingMedium Swing
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
A♯m7
D♯7
A♯m7
D♯7
Cm7
F7
Cm7
F7
Fm7
A♯7
Em7
A7
G♯Maj7
G♯Maj7
A♯m7
D♯7
A♯m7
D♯7
Cm7
F7
Cm7
F7
Fm7
A♯7
Em7
A7
G♯Maj7
G♯Maj7
D♯m7
G♯7
D♯m7
G♯7
C♯Maj7
C♯Maj7
Fm7
A♯7
Fm7
A♯7
A♯m7
D♯7
A♯m7
D♯7
A♯m7
D♯7
A♯m7
D♯7
Cm7
F7
Cm7
F7
Fm7
A♯7
Em7
A7
G♯Maj7
G♯Maj7

Chord Diagrams — Satin Doll in G# (Guitar)

Satin Doll in G#

Satin Doll in G# with chords A#m7 – D#7 – Cm7 – F7 – Fm7 – A#7 – Em7 – A7 – G#Maj7 – D#m7 – G#7 – C#Maj7. Duke Ellington's masterclass in ii-V motion uses a series of ii-V pairs that create a sophisticated, floating harmonic feel. Explore chord diagrams and audio playback in G#.

Satin Doll in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D# (ascending perfect fourth), D# to C (descending minor third), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to A (ascending perfect fourth), A to G# (descending half step), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to A# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: A♯m7, D♯7, Cm7, F7, Fm7, A♯7, Em7, A7, G♯Maj7, D♯m7, G♯7, C♯Maj7.