So Nice (Summer Samba) in A#

Marcos Valle(1965)bossaMedium Bossa

So Nice (Summer Samba) in A#

Marcos Valle's infectious bossa nova, one of the most covered Brazilian jazz tunes worldwide, with a bright, optimistic melody.

So Nice (Summer Samba) in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to E (ascending tritone), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to D# (ascending unison), D# to A (ascending tritone), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to G# (descending major third), G# to D (ascending tritone), D to G (ascending perfect fourth), G to F (descending whole step). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa4/4 · 32 bars · Form: AABA

Chords: A♯Maj7, Em7, A7, D♯Maj7, D♯6, Am7♭5, D7♭9, Gm7, C7, Cm7, G♯7, Dm7, G7, F7.