Strang Fruit in Fa#

Lewis Allan()swingAndante Moderato
A

Chord Diagrams — Strang Fruit in Fa# (Guitar)

Fa♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
Do♯7♯5
Do♯ - Fa - La - Si
Do♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Sol♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
Do♯7♭9
EADGBE11x234
4frEADGBEx12347frEADGBE3241x9frEADGBExx1324
Sol♯m7♭9
Do♯7/d
Re - Do♯ - Fa - Sol♯ - Si
Fa♯m/ees
Do♯79-/f
Do♯79-/d
Do♯79-/b
Fa♯m/bes
ReMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
Fa♯m/g
Sol - Fa♯ - La - Do♯
Sol69
EADGBE1
EADGBE1112344frEADGBE2222x19frEADGBE11x234

Strang Fruit in Fa#

Strang Fruit in Fa#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to C# (descending perfect fourth), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to D (descending major third), D to F# (ascending major third), F# to G (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to F# by half step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 31 bars · Form: A

Chords: Fa♯m, Do♯7♯5, Do♯7, Sol♯m7♭5, Do♯7♭9, Sol♯m7♭9, Do♯7/d, Fa♯m/ees, Do♯79-/f, Do♯79-/d, Do♯79-/b, Fa♯m/bes, ReMaj7, Fa♯m/g, Sol69.

Scales for Improvisation Fa# bebop minor, Fa# bebop.