Take Five in B

Paul Desmond(1959)swingMedium
B
Instrument
GuitarUkuleleBassPiano
A
A
B
A
D♯m7
A♯m7
D♯m7
A♯m7
D♯m7
A♯m7
D♯m7
A♯m7
D♯m7
A♯m7
D♯m7
A♯m7
D♯m7
A♯m7
D♯m7
A♯m7
C♭Maj7
C♭Maj7
G♯m7
G♯m7
A♯m7
A♯m7
D♯m7
A♯m7
D♯m7
A♯m7
D♯m7
A♯m7
D♯m7
A♯m7
D♯m7
A♯m7

Chord Diagrams — Take Five in B (Guitar)

Take Five in B

Paul Desmond's groundbreaking 5/4 time composition that became the best-selling jazz single of all time, from the Dave Brubeck Quartet.

Take Five in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through D# to A# (descending perfect fourth), A# to Cb (ascending whole step), Cb to G# (descending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to D# by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing5/4 · 32 bars · Form: AABA

Chords: D♯m7, A♯m7, C♭Maj7, G♯m7.