Take The A Train in A#

Billy Strayhorn(1941)swingMedium-Up Swing
A♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
A♯Maj7
A♯Maj7
C7
C7
Cm7
F7
A♯Maj7
A♯Maj7
A♯Maj7
A♯Maj7
C7
C7
Cm7
F7
A♯Maj7
A♯Maj7
D♯Maj7
D♯Maj7
D♯Maj7
D♯Maj7
C7
C7
Cm7
F7
A♯Maj7
A♯Maj7
C7
C7
Cm7
F7
A♯Maj7
A♯Maj7

Chord Diagrams — Take The A Train in A# (Guitar)

Take The A Train in A#

Take The A Train in A# with chords A#Maj7 – C7 – Cm7 – F7 – D#Maj7. Billy Strayhorn's signature Duke Ellington Orchestra theme features bright major key harmony with a distinctive #IV chord. Practice chord voicings, scales, and audio playback in A#.

Take The A Train in A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to C (ascending whole step), C to C (ascending unison), C to F (ascending perfect fourth), F to D# (descending whole step). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: A♯Maj7, C7, Cm7, F7, D♯Maj7.