Take The A Train in B

Billy Strayhorn(1941)swingMedium-Up Swing
B
Instrument
GuitarUkuleleBassPiano
A
A
B
A
BMaj7
BMaj7
C♯7
C♯7
C♯m7
F♯7
BMaj7
BMaj7
BMaj7
BMaj7
C♯7
C♯7
C♯m7
F♯7
BMaj7
BMaj7
EMaj7
EMaj7
EMaj7
EMaj7
C♯7
C♯7
C♯m7
F♯7
BMaj7
BMaj7
C♯7
C♯7
C♯m7
F♯7
BMaj7
BMaj7

Chord Diagrams — Take The A Train in B (Guitar)

Take The A Train in B

Take The A Train in B with chords BMaj7 – C#7 – C#m7 – F#7 – EMaj7. Billy Strayhorn's signature Duke Ellington Orchestra theme features bright major key harmony with a distinctive #IV chord. Practice chord voicings, scales, and audio playback in B.

Take The A Train in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to C# (ascending whole step), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to E (descending whole step). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: BMaj7, C♯7, C♯m7, F♯7, EMaj7.