Take The A Train in D#

Billy Strayhorn(1941)swingMedium-Up Swing
D♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
D♯Maj7
D♯Maj7
F7
F7
Fm7
A♯7
D♯Maj7
D♯Maj7
D♯Maj7
D♯Maj7
F7
F7
Fm7
A♯7
D♯Maj7
D♯Maj7
G♯Maj7
G♯Maj7
G♯Maj7
G♯Maj7
F7
F7
Fm7
A♯7
D♯Maj7
D♯Maj7
F7
F7
Fm7
A♯7
D♯Maj7
D♯Maj7

Chord Diagrams — Take The A Train in D# (Guitar)

Take The A Train in D#

Take The A Train in D# with chords D#Maj7 – F7 – Fm7 – A#7 – G#Maj7. Billy Strayhorn's signature Duke Ellington Orchestra theme features bright major key harmony with a distinctive #IV chord. Practice chord voicings, scales, and audio playback in D#.

Take The A Train in D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to F (ascending whole step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to G# (descending whole step). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to D# by perfect fourth.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: D♯Maj7, F7, Fm7, A♯7, G♯Maj7.