Take The A Train in F#

Billy Strayhorn(1941)swingMedium-Up Swing
F♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
F♯Maj7
F♯Maj7
G♯7
G♯7
G♯m7
C♯7
F♯Maj7
F♯Maj7
F♯Maj7
F♯Maj7
G♯7
G♯7
G♯m7
C♯7
F♯Maj7
F♯Maj7
BMaj7
BMaj7
BMaj7
BMaj7
G♯7
G♯7
G♯m7
C♯7
F♯Maj7
F♯Maj7
G♯7
G♯7
G♯m7
C♯7
F♯Maj7
F♯Maj7

Chord Diagrams — Take The A Train in F# (Guitar)

Take The A Train in F#

Take The A Train in F# with chords F#Maj7 – G#7 – G#m7 – C#7 – BMaj7. Billy Strayhorn's signature Duke Ellington Orchestra theme features bright major key harmony with a distinctive #IV chord. Practice chord voicings, scales, and audio playback in F#.

Take The A Train in F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G# (ascending whole step), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to B (descending whole step). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: AABA

Chords: F♯Maj7, G♯7, G♯m7, C♯7, BMaj7.