Triste in G#

Antonio Carlos Jobim(1967)bossaMedium Bossa
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
G♯Maj7
G♯Maj7
A♯m7
D♯7
A♯m7
D♯7
Cm7
F7♭9
G♯Maj7
G♯Maj7
A♯m7
D♯7
A♯m7
D♯7
Cm7
F7♭9
A♯m7
A♯m7
Adim7
Adim7
A♯m7
D♯7
Cm7♭5
F7♭9
A♯m7
D♯7
G♯Maj7
G♯Maj7
A♯m7
D♯7
A♯m7
D♯7
Cm7
F7♭9

Chord Diagrams — Triste in G# (Guitar)

Triste in G#

Jobim's wistful bossa nova (the name means 'sad' in Portuguese) with a soaring melody and rich chromatic passing chords.

Triste in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A# (ascending whole step), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to F (ascending perfect fourth), F to A (ascending major third), A to C (ascending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to G# by major third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa4/4 · 34 bars · Form: AABA

Chords: G♯Maj7, A♯m7, D♯7, Cm7, F7♭9, Adim7, Cm7♭5.