Wave in A

Antonio Carlos Jobim(1967)bossaMedium Bossa

Wave in A

Wave in A with chords AMaj7 – Fdim7 – Em7 – A7b9 – DMaj7 – Dm7 – C#m7 – F#7 – Bm7 – E7. Tom Jobim's beautiful bossa nova showcases chromatic passing chords and elegant descending bass lines. Explore chord diagrams, scales, and audio playback in A.

Wave in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to F (descending major third), F to E (descending half step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa4/4 · 16 bars · Form: AB

Chords: AMaj7, Fdim7, Em7, A7♭9, DMaj7, Dm7, C♯m7, F♯7, Bm7, E7.