A Media Luz in A

Edgardo Donato / Carlos Lenzi(1925)tangoTango moderato
Do Re MiC D E
A
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Am
E7
Am
E7
Dm
Am
E7
Am
Am
E7
Am
E7
Dm
Am
E7
Am
C
G7
C
G7
F
C
E7
Am
Am
E7
Am
E7
Dm
Am
E7
Am

Chord Diagrams — A Media Luz in A (Guitar)

A Media Luz in A

Edgardo Donato compuso 'A Media Luz' en 1925 con letra de Carlos Lenzi; es uno de los tangos más evocadores de la Buenos Aires porteña: un apartamento de Corrientes, media luz, almohadones, bizcochitos y aquella nota de Jardín Oriental. Carlos Gardel la grabó en 1931 y la eternizó. La atmósfera se construye en Gm: la oscuridad media del título no necesita dramatismo, sólo tensión contenida. El puente en Bb mayor lleva la memoria hacia la luz antes de que el Gm la devuelva a la penumbra.

A Media Luz in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to D (descending whole step), D to C (descending whole step), C to G (descending perfect fourth), G to F (descending whole step). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F to A by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

tango4/4 · 32 bars · Form: AABA

Chords: Am, E7, Dm, C, G7, F.