A Mí Qué in A

Jesús Guerra(1943)danzón/descargaDanzón/Descarga (Charanga Style)
Do Re MiC D E
Clave 2-3
I
n
t
r
o
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A
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B
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C
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D
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E
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F
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A mí qué,
a mí qué.
cí - a Jua-na Tri-pi-
ta la ne-gra más
ru - ti - ne -
E7sus
A mí qué,
E7sus
E7sus
a mí qué.
E7sus
Yo
E7sus
soy Tri-pi-ta en La Ha-ba-
na, mi vie-jo a-mi-go que se-a.
A7sus
Si vie-ras co-mo me-nea-
A7sus
ba chi-qui-ta su cin-tu-ri-ta,
A7sus
mien-
tras que con su pa-lu-
cha so-li-ta se
di-ver-tí-a.
Y de-cí-a se_a-ca-
bó,
a mí qué.
A mí qué.
A mí qué,
a mí qué.
A mí qué.
A mí qué,
a mí qué.

Chord Diagrams — A Mí Qué in A (Guitar)

A Mí Qué in A

A Mí Qué in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to A (ascending unison), A to E (descending perfect fourth), E to D (descending whole step), D to C# (descending half step), C# to C (descending half step), C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to F# (ascending major third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

danzón/descarga4/4 · 57 bars · Form: Intro-A-B-C-D-E-F-G-H-I-J

Chords: A, A6, Amaj7, E7, D, C♯m7, Cdim7, Bm7, E7sus, A7sus, A7, Dmaj7, D6, F♯m7, B7, E9, E.

Scales for Improvisation A bebop, A bebop major.