A Nivel De in B

João Bosco(1988)Funky SambaFunky Samba ♩=96
Do Re MiC D E
A
A
B
C
D♯13
D♯7♭13
G♯m♯5
F♯7sus
F♯7sus
F7♯9♯5
Bmaj9
Bmaj9

Chord Diagrams — A Nivel De in B (Guitar)

Emaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯13♭9
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
C♯m9
EADGBE2222x1
5frEADGBE222x147frEADGBE333x129frEADGBE111134
C♯m11
EADGBE111x23
7frEADGBE1113429frEADGBE11111411frEADGBE11xx23
G♯m6
EADGBE2x134x
4frEADGBE1112346frEADGBE111x329frEADGBE11x324
Em6
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
G♯9sus
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
F7♯9♯5
F - A - C♯ - E♭ - G♯
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
Bmaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
Bmaj9
EADGBE22214x
4frEADGBE11xx346frEADGBE11243x8frEADGBExx2143
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
D♯7♭13
D♯ - G - C♯ - B
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
G♯m♯5
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
F♯7sus
F♯ - B - C♯ - E
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423

A Nivel De in B

A Nivel De in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to E (descending major third), E to G# (ascending major third), G# to G# (ascending unison), G# to F (descending minor third), F to A (ascending major third), A to B (ascending whole step), B to B (ascending unison), B to D# (ascending major third), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to E by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

Funky Samba4/4 · 38 bars · Form: AABC

Chords: Emaj7, D♯m7, G♯13♭9, C♯m9, C♯m11, G♯m6, Em6, G♯9sus, G♯9, F7♯9♯5, A9, Bmaj7, Bmaj9, D♯13, D♯7♭13, G♯m7, G♯m♯5, F♯7sus, C♯9, C♯m7.

Scales for Improvisation B bebop, B bebop major.