Adoro in D

Armando Manzanero(1967)boleroBolero lento
Do Re MiC D E
D
Instrument
GuitarUkuleleBassPiano
A
A
B
A
D
Bm7
Em7
A7
D
Bm7
Em7
A7
D
Bm7
Em7
A7
D
Bm7
Em7
A7
G
Gm
D
A7
F♯m7
Bm7
Em7
A7
D
Bm7
Em7
A7
D
Bm7
Em7
A7

Chord Diagrams — Adoro in D (Guitar)

Adoro in D

Armando Manzanero grabó 'Adoro' en 1967 y se convirtió en la canción que definió su carrera: el bolero yucateco de cámara, con arreglos de cuerdas y una sofisticación armónica que lo distinguía del bolero de cantina. Luis Miguel, Vikki Carr y Eydie Gormé la grabaron. El loop Eb-Cm7-Fm7-Bb7 es uno de los I-vi-ii-V más cantables de la música popular latinoamericana; el giro Ab→Abm en el puente es el toque manzaneriano por excelencia.

Adoro in D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to B (descending minor third), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to G (descending whole step), G to G (ascending unison), G to F# (descending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from F# to D by major third.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

bolero4/4 · 32 bars · Form: AABA

Chords: D, Bm7, Em7, A7, G, Gm, F♯m7.