Alonzo in B

Lonnie Hewitt(1963)mamboMambo ♩=106
Do Re MiC D E
A
B
C
D
E
F
Bm69
F♯7♯9♭5
F♯7♯9♭5
F♯7♯9♭5
F♯7♯9♭5
F♯7♯9♭5
F♯7♯9♭5
F♯7♯9♭5
F♯7♯9♭5
B9sus
B9sus
B9sus
B9sus

Chord Diagrams — Alonzo in B (Guitar)

Bm69
EADGBEx2134
5frEADGBE2233x17frEADGBE1122229frEADGBE1112x3
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
F♯7♯9♭5
F♯ - A♯ - C♯ - E - A - C
B9sus
EADGBEx123
2frEADGBE1111344frEADGBE1122xx7frEADGBE111134
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143

Alonzo in B

Alonzo in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to B (ascending unison), B to F# (descending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to B by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

mambo4/4 · 46 bars · Form: ABCDEF

Chords: Bm69, Bm, F♯m7, F♯7♯9♭5, B9sus, B9.

Scales for Improvisation B bebop minor, B bebop.