Aquellos Ojos Verdes in E

Nilo Menéndez / Adolfo Utrera(1929)boleroBolero-habanera moderado
Do Re MiC D E
E
Instrument
GuitarUkuleleBassPiano
A
A
B
A
E
E7
A
Am
E
C♯7
F♯m7
B7
E
E7
A
Am
E
C♯7
F♯m7
B7
F♯m
F♯m
C♯7
C♯7
F♯m7
B7
E
B7
E
E7
A
Am
E
C♯7
F♯m7
B7

Chord Diagrams — Aquellos Ojos Verdes in E (Guitar)

Aquellos Ojos Verdes in E

Nilo Menéndez y Adolfo Utrera compusieron 'Aquellos Ojos Verdes' en La Habana en 1929. Nat King Cole la grabó en 1953 y la convirtió en uno de los boleros cubanos más conocidos en el mundo anglosajón. La progresión G-G7-C-Cm — idéntica en espíritu a Perfidia — con ese acorde menor prestado es la firma melancólica del bolero habanero clásico.

Aquellos Ojos Verdes in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to A (ascending perfect fourth), A to A (ascending unison), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to F# (descending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to E by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

bolero4/4 · 32 bars · Form: AABA

Chords: E, E7, A, Am, C♯7, F♯m7, B7, F♯m.