Berimbau in A

Baden Powell / Vinícius de Moraes(1963)afro-sambaAfro-Samba ♩= 112
Do Re MiC D E
A
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Am
G
Am
G
Am
G
Am
E7
Am
G
Am
G
Am
G
Am
E7
Dm
Dm
Bm7♭5
E7♭9
Am
Dm
Dm
E7
Am
Am
G
Am
G
Am
G
Am
E7

Chord Diagrams — Berimbau in A (Guitar)

Berimbau in A

Baden Powell y Vinícius de Moraes crearon el afro-samba (1963) fundiendo música de Candomblé con samba y jazz. 'Berimbau' toma el nombre del instrumento de arco de la capoeira: el ostinato Dm–C imita su ritmo hipnótico. El puente B, modal y oscuro (Gm→Em7b5→A7b9), es puro misticismo afrobrasileño.

Berimbau in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G (descending whole step), G to E (descending minor third), E to D (descending whole step), D to B (descending minor third), B to E (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

afro-samba4/4 · 32 bars · Form: AABA

Chords: Am, G, E7, Dm, Bm7♭5, E7♭9.