Canto de Ossanha in E

Baden Powell / Vinícius de Moraes(1966)afro-sambaAfro-Samba ♩= 108
Do Re MiC D E
E
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Em
D
Em
D
Em
D
Em
B7
Em
D
Em
D
Em
D
Em
B7
Am
Am
Em
B7
Am
B7
Em
B7
Em
D
Em
D
Em
D
Em
B7

Chord Diagrams — Canto de Ossanha in E (Guitar)

Canto de Ossanha in E

Baden Powell y Vinícius de Moraes dedicaron este afro-samba (1966) a Ossanha, orixá de las plantas medicinales y los engaños en el Candomblé. La letra — 'Homem que diz sou livre, livre não está' — es una advertencia. El ostinato Em–D es primo hermano de Berimbau, igualmente hipnótico, con el B7 como inevitable dominante del destino.

Canto de Ossanha in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to B (descending minor third), B to A (descending whole step). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

afro-samba4/4 · 32 bars · Form: AABA

Chords: Em, D, B7, Am.