Club Morocco in C

Jose Roberto Bertrami, Alex Malheiros, as played by Azymuth(1982)sambaFast Funky Samba (Reverse Partido Alto)
Do Re MiC D E
A
-
B
-
C
-
C
o
d
a
F9♯11
F9♯11
Emaj9
Cm69
Gmaj9
F♯13♯11
F9♯11
F9♯11
Em11
Cm69
F9♯11
Emaj9
Gmaj9
Gmaj9
Gmaj9
Fmaj9
B7♯9♯5
A7♯9♯5
Cm69
Gmaj9
F♯13♯11
F9♯11
F9♯11
Em11
Cm69
F9♯11
Emaj9
Cm69
Gmaj9
F♯13♯11
F9♯11
F9♯11
Em11
Cm69
F9♯11
Emaj9

Chord Diagrams — Club Morocco in C (Guitar)

F9♯11
EADGBE123
3frEADGBExx12347frEADGBE11x2348frEADGBE111x23
Emaj9
EADGBE3124
EADGBE1112346frEADGBEx2143x9frEADGBE11xx34
Cm69
EADGBE333x12
3frEADGBEx1246frEADGBE4123xx8frEADGBE2222x1
G
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
Gmaj9
EADGBE21
EADGBE1112433frEADGBExx23149frEADGBEx2143x
F♯13♯11
F♯ - A♯ - C♯ - E - G♯ - C - D♯
Em11
EADGBE1
3frEADGBE3215frEADGBE11x23410frEADGBE111342
Am9
EADGBEx2413
5frEADGBE1111348frEADGBE13210frEADGBE2222x1
D9sus
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
D7♭9
2frEADGBExx431
4frEADGBE11x2345frEADGBE11x248frEADGBE3241xx
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
Gm9
EADGBE2341
3frEADGBE1111346frEADGBE11xx28frEADGBE2222x1
F♯maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
Fmaj9
EADGBE132
EADGBExx23147frEADGBEx2143x10frEADGBE11xx34
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7♯9♯5
B - D♯ - G - A - D
Em7♭5
EADGBE33312
7frEADGBEx1324x8frEADGBE11xx2411frEADGBE2x341x
A7♯9♯5
A - C♯ - F - G - C

Club Morocco in C

Club Morocco in C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F to E (descending half step), E to C (descending major third), C to G (descending perfect fourth), G to G (ascending unison), G to F# (descending half step), F# to E (descending whole step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to G# (ascending tritone), G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to F# (ascending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to F by major third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 38 bars · Form: A-B-C-Coda

Chords: F9♯11, Emaj9, Cm69, G, Gmaj9, F♯13♯11, Em11, Am9, D9sus, D7♭9, G♯, Gm9, F♯maj7, Fmaj9, F♯m7, B7♯9♯5, Em7♭5, A7♯9♯5.

Scales for Improvisation C bebop minor, C bebop.