Come With Me in A

Tania Maria(1981)funkMed. Slow Funk
Do Re MiC D E
I
n
t
r
o
-
A
-
B
-
C
-
D
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C
o
d
a
-
E
-
F
Am11
Am11
Am11
F9sus
B13
B7♭13
E9♯5
D9sus
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11
Am11

Chord Diagrams — Come With Me in A (Guitar)

Am11
EADGBEx1
3frEADGBE1113425frEADGBE11111410frEADGBE11x234
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
F9sus
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
B7♭13
B - D♯ - A - G
E9♯5
EADGBE3142
4frEADGBE112346frEADGBE222x149frEADGBE11123
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
D9sus
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1

Come With Me in A

Come With Me in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to B (ascending whole step), B to F (ascending tritone), F to B (ascending tritone), B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to A# (descending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A by half step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

funk4/4 · 53 bars · Form: Intro-A-B-C-D-Coda-E-F

Chords: Am11, Bm7, F9sus, B13, B7♭13, E9♯5, E9, A9, D9sus, A♯9.

Scales for Improvisation A bebop minor, A bebop.