Desafinado in G#

Antônio Carlos Jobim / Newton Mendonça(1958)bossa-novaBossa-nova moderato
Do Re MiC D E
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
G♯maj7
A♯7
A♯m7
D♯7
G♯maj7
Adim7
A♯m7
D♯7
G♯maj7
A♯7
A♯m7
D♯7
G♯maj7
Adim7
A♯m7
D♯7
F♯maj7
B7
Emaj7
E7
D♯m7
G♯7
C♯maj7
D♯7
G♯maj7
A♯7
A♯m7
D♯7
G♯maj7
Adim7
A♯m7
D♯7

Chord Diagrams — Desafinado in G# (Guitar)

Desafinado in G#

Jobim y Newton Mendonça escribieron 'Desafinado' en 1958 como manifiesto humorístico de la bossa-nova. La letra dice 'si você disser que eu desafino amor' —si me dices que desafino, amor— respondiendo a los críticos que no entendían las disonancias del nuevo estilo. Stan Getz y João Gilberto la grabaron en 1962 y ganaron el Grammy. La modulación cromática en el puente es uno de los momentos más elegantes de la bossa.

Desafinado in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to A# (ascending whole step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 32 bars · Form: AABA

Chords: G♯maj7, A♯7, A♯m7, D♯7, Adim7, F♯maj7, B7, Emaj7, E7, D♯m7, G♯7, C♯maj7.