Dom De Iludir in E

Caetano Veloso(1987)samba cancaoSamba Cancão ♩=110
Do Re MiC D E
A
B
B13♭9
Emaj9
Emaj9
G♯7sus
A13
A7♭9♯5
D♯maj9
D♯69
D♯9sus
D♯7♭9♯5
G♯maj9
B7♭9♯5
Emaj9
D13
C♯7♭9♯5
F♯13
F♯9♭13
B13sus

Chord Diagrams — Dom De Iludir in E (Guitar)

F♯m9
EADGBE2314
EADGBE1111237frEADGBE2222x110frEADGBExx2413
B13♭9
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
Emaj9
EADGBE3124
EADGBE1112346frEADGBEx2143x9frEADGBE11xx34
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
G♯7sus
G♯ - C♯ - D♯ - F♯
Cmaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
A7♭9♯5
A - C♯ - F - G - B♭
Dm9
EADGBE132
3frEADGBE2222x15frEADGBEx142310frEADGBE111134
Fm9
EADGBE111134
EADGBEx12346frEADGBE2222x111frEADGBE22221
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
D♯maj9
3frEADGBE1111x4
5frEADGBEx2143x8frEADGBE1111x411frEADGBExx2314
D♯69
EADGBExx234
EADGBE1111x25frEADGBE11x23410frEADGBE111234
D♯9sus
EADGBExx1324
4frEADGBE11x2346frEADGBE11113411frEADGBE111134
D♯7♭9♯5
D♯ - G - B - C♯ - E
G♯maj9
EADGBE1111x4
3frEADGBE1112434frEADGBE11322410frEADGBE22214x
B7♭9♯5
B - D♯ - G - A - C
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
C♯7♭9♯5
C♯ - F - A - B - D
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
F♯9♭13
F♯ - A♯ - E - G♯ - D
B13sus
B - E - F♯ - A - C♯ - G♯
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23

Dom De Iludir in E

Dom De Iludir in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to D (descending whole step), D to G# (ascending tritone), G# to C (ascending major third), C to A (descending minor third), A to A (ascending unison), A to D (ascending perfect fourth), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to D# (ascending unison), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to D (ascending minor third), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to F# by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba cancao4/4 · 26 bars · Form: AB

Chords: F♯m9, B13♭9, Emaj9, Dm7, G♯7sus, Cmaj7, A13, A7♭9♯5, Dm9, Fm9, A♯9, D♯maj9, D♯69, D♯9sus, D♯7♭9♯5, G♯maj9, B7♭9♯5, D13, C♯7♭9♯5, F♯13, F♯9♭13, B13sus, B7♭9.

Scales for Improvisation E bebop, E bebop major.