El Año Viejo in B

El Año Viejo in B

Crescencio Salcedo compuso 'El Año Viejo' en Colombia en 1953 y se convirtió en el himno de fin de año de Venezuela, Colombia y todo el Caribe. Se escucha cada 31 de diciembre en todo el continente, junto a 'El Año Nuevo'. Carlos Vives, Los Corraleros de Majagual y decenas de orquestas la han grabado. La sencillez de D-A7-G no necesita ornamento: es la cumbia en su versión más festiva y comunitaria, el acorde del brindis y el abrazo.

El Año Viejo in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to E (descending whole step), E to G# (ascending major third), G# to C# (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to B by whole step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.