Eu Sei Que Vou Te Amar in C#

Tom Jobim / Vinícius de Moraes(1959)bossa-novaBossa lento
Do Re MiC D E
C♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
C♯maj7
A♯m7
D♯m7
G♯7
Fm7
A♯7
D♯m7
G♯7
C♯maj7
A♯m7
D♯m7
G♯7
Fm7
A♯7
D♯m7
G♯7
F♯maj7
Fm7
D♯m7
G♯7
C♯maj7
A♯7
D♯m7
G♯7
C♯maj7
A♯m7
D♯m7
G♯7
Fm7
A♯7
D♯m7
G♯7

Chord Diagrams — Eu Sei Que Vou Te Amar in C# (Guitar)

Eu Sei Que Vou Te Amar in C#

Tom Jobim y Vinícius de Moraes compusieron 'Eu Sei Que Vou Te Amar' como una de las declaraciones más hermosas de la bossa nova. La certeza del amor eterno — 'sé que te voy a amar, con toda la eternidad de mi amor' — sobre un ciclo de quintas en Do mayor es la bossa nova en su estado más puro: sofisticación melódica, suavidad rítmica y profundidad emocional.

Eu Sei Que Vou Te Amar in C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to F# (descending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to C# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 32 bars · Form: AABA

Chords: C♯maj7, A♯m7, D♯m7, G♯7, Fm7, A♯7, F♯maj7.