Felicidade in F

Tom Jobim / Vinícius de Moraes(1959)bossa-novaSamba-bossa moderado
Do Re MiC D E
F
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Fmaj7
Fmaj7
C7
C7
Fmaj7
Dm7
Gm7
C7
Fmaj7
Fmaj7
C7
C7
Fmaj7
Dm7
Gm7
C7
A♯maj7
A♯maj7
Am7
D7
Gm7
C7
Fmaj7
C7
Fmaj7
Fmaj7
C7
C7
Fmaj7
Dm7
Gm7
C7

Chord Diagrams — Felicidade in F (Guitar)

Felicidade in F

Tom Jobim y Vinícius de Moraes compusieron 'Felicidade' para la película 'Orfeu Negro' (1959), ganadora de la Palma de Oro en Cannes. La letra paradójica — 'la felicidad es como una pluma que el viento lleva por el aire' — contrasta con la melodía luminosa del carnaval carioca. Es la cara alegre del mismo río donde navega 'Manhã de Carnaval': bossa nova y alegría pura.

Felicidade in F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to C (descending perfect fourth), C to D (ascending whole step), D to G (ascending perfect fourth), G to A# (ascending minor third), A# to A (descending half step), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to F by minor third.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 32 bars · Form: AABA

Chords: Fmaj7, C7, Dm7, Gm7, A♯maj7, Am7, D7.