La Flor de la Canela in D#

La Flor de la Canela in D#

Chabuca Granda compuso 'La Flor de la Canela' alrededor de 1950, dedicada a Victoria Angulo, una habitante del Rímac cuya gracia al caminar inspiró la canción. Es el vals criollo peruano más conocido en el mundo, símbolo de Lima colonial y del barrio de San Lorenzo junto al río Rímac. Plácido Domingo, Julio Iglesias y decenas de artistas la han llevado a escenarios internacionales.

La Flor de la Canela in D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to F (descending minor third), F to C (descending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to D# by minor third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.