The Girl From Ipanema in B

Antonio Carlos Jobim(1962)bossa-novaMedium Bossa
Do Re MiC D E
B
Instrument
GuitarUkuleleBassPiano
A
A
B
A
BMaj7
BMaj7
C♯7
C♯7
C♯m7
C7
BMaj7
C7
BMaj7
BMaj7
C♯7
C♯7
C♯m7
C7
BMaj7
C7
CMaj7
CMaj7
F7
F7
Cm7
G♯7
C♯m7
F♯7
BMaj7
BMaj7
C♯7
C♯7
C♯m7
C7
BMaj7
C7

Chord Diagrams — The Girl From Ipanema in B (Guitar)

The Girl From Ipanema in B

The most famous bossa nova composition, The Girl From Ipanema by Tom Jobim and Vinicius de Moraes became a worldwide hit through the Getz/Gilberto recording. Its deceptively simple melody over sophisticated chromatic harmony defines the bossa nova style.

The Girl From Ipanema in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to C# (ascending whole step), C# to C# (ascending unison), C# to C (descending half step), C to C (ascending unison), C to F (ascending perfect fourth), F to C (descending perfect fourth), C to G# (descending major third), G# to F# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 32 bars · Form: AABA

Chords: BMaj7, C♯7, C♯m7, C7, CMaj7, F7, Cm7, G♯7, F♯7.