La Flor de la Canela in B

La Flor de la Canela in B

Chabuca Granda compuso 'La Flor de la Canela' en 1950 como homenaje a Lima y a Victoria Angulo, una señora negra del Rímac que cruzaba el Puente de Palo con garbo de reina. Es el vals criollo peruano más famoso del mundo y un monumento a la Lima mestiza del siglo XX. La combinación de 3/4 con armonía en Fa mayor y el arpa y la guitarra criolla crea uno de los sonidos más bellos de América del Sur.

La Flor de la Canela in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to E (ascending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.