Malena in E

Homero Manzi / Lucio Demare(1941)tangoTango lento
Do Re MiC D E
E
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Em
F♯7
Bm
B7
Em
Am
B7
Em
Em
F♯7
Bm
B7
Em
Am
B7
Em
G
D7
G
D7
C
Am
B7
Em
Em
F♯7
Bm
B7
Em
Am
B7
Em

Chord Diagrams — Malena in E (Guitar)

Malena in E

Homero Manzi escribió la letra y Lucio Demare la música de 'Malena' en 1941; Demare la compuso pensando en una cancionista de cabaret. Es uno de los tangos más cantados en el mundo: Mercedes Sosa, Luz Casal y Nana Mouskouri la han grabado. La letra dibuja a Malena cantando tangos con una oscuridad que viene de adentro. El E7→Am7 en la sección A es una cadencia andaluza transladada al Río de la Plata: España, Africa y Buenos Aires en cuatro acordes.

Malena in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to B (ascending perfect fourth), B to B (ascending unison), B to A (descending whole step), A to G (descending whole step), G to D (descending perfect fourth), D to C (descending whole step). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to E by major third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

tango4/4 · 32 bars · Form: AABA

Chords: Em, F♯7, Bm, B7, Am, G, D7, C.