María Bonita in A

Agustín Lara(1947)boleroBolero moderato
Do Re MiC D E
A
Instrument
GuitarUkuleleBassPiano
A
A
B
A
A
E7
A
E7
A
F♯m7
Bm7
E7
A
E7
A
E7
A
F♯m7
Bm7
E7
D
A
B7
E7
F♯m
C♯7
F♯m
E7
A
E7
A
E7
A
F♯m7
Bm7
E7

Chord Diagrams — María Bonita in A (Guitar)

María Bonita in A

Agustín Lara escribió 'María Bonita' en 1947 durante una visita con la actriz María Félix a Acapulco. 'Acuérdate de Acapulco, de aquellas noches, María bonita, María del alma' evoca el puerto de manera tan vívida que el gobierno mexicano le rindió homenaje con una estatua en el malecón. Una de las canciones más representativas del México clásico y del romanticismo latinoamericano.

María Bonita in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to D (ascending minor third), D to B (descending minor third), B to F# (descending perfect fourth), F# to C# (descending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to A by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

bolero4/4 · 32 bars · Form: AABA

Chords: A, E7, F♯m7, Bm7, D, B7, F♯m, C♯7.