Nosotros in G#

Pedro Junco Jr.(1943)boleroBolero lento
Do Re MiC D E
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
G♯
D♯7
G♯
A♯m7
D♯7
G♯
G♯maj7
A♯m7
D♯7
G♯
D♯7
G♯
A♯m7
D♯7
G♯
G♯maj7
A♯m7
D♯7
C♯
C♯m
G♯
Fm7
A♯m7
D♯7
G♯
D♯7
G♯
D♯7
G♯
A♯m7
D♯7
G♯
G♯maj7
A♯m7
D♯7

Chord Diagrams — Nosotros in G# (Guitar)

Nosotros in G#

Pedro Junco Jr. compuso 'Nosotros' en 1943 mientras sufría tuberculosis, sabiendo que no podría estar con la mujer que amaba por miedo a contagiarla. 'Nosotros, que nos queremos tanto' —la primera persona del plural usada para hablar de una separación— es uno de los textos más emotivos del bolero. Luis Miguel, Pedro Vargas y Raphael figuran entre los cientos de intérpretes de esta joya del romanticismo latino.

Nosotros in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F (ascending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to G# by minor third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bolero4/4 · 32 bars · Form: AABA

Chords: G♯, D♯7, A♯m7, G♯maj7, C♯, C♯m, Fm7.