Nuestro Juramento in G#

Benicio Palacios Salas(1953)boleroBolero lento
Do Re MiC D E
G♯
Instrument
GuitarUkuleleBassPiano
A
A
B
A
G♯m
D♯7
G♯m
D♯7
C♯m
G♯m
D♯7
G♯m
G♯m
D♯7
G♯m
D♯7
C♯m
G♯m
D♯7
G♯m
B
F♯7
B
F♯7
E
B
D♯7
G♯m
G♯m
D♯7
G♯m
D♯7
C♯m
G♯m
D♯7
G♯m

Chord Diagrams — Nuestro Juramento in G# (Guitar)

Nuestro Juramento in G#

Benicio Palacios Salas compuso 'Nuestro Juramento' en Ecuador en 1953. Julio Jaramillo la popularizó y se convirtió en el bolero más importante de Ecuador y uno de los más queridos del continente. 'Juro que jamás volveré a besar unos labios como los tuyos' — la letra es el arquetipo del juramento imposible. El Cm-G7 fluye con la gravedad de un bolero ecuatorial; el puente en Eb mayor es el momento en que el juramento aún parece posible antes de que el Cm lo deshaga.

Nuestro Juramento in G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to B (descending whole step), B to F# (descending perfect fourth), F# to E (descending whole step). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to G# by major third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

bolero4/4 · 32 bars · Form: AABA

Chords: G♯m, D♯7, C♯m, B, F♯7, E.