Pedro Navaja in D#

Pedro Navaja in D#

Rubén Blades compuso 'Pedro Navaja' en 1978 para el álbum 'Siembra' con Willie Colón, el disco de salsa más vendido de la historia. La crónica de un machetero y una prostituta que se matan mutuamente en un callejón neoyorquino — con el comentario irónico de un borracho al final — es literatura pura: Gabriel García Márquez la comparó con el mejor periodismo. La progresión Fm-Db-C7 sobre montuno es el pulso de la salsa narrativa.

Pedro Navaja in D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to B (descending major third), B to A# (descending half step), A# to F# (descending major third), F# to C# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to D# by whole step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.