Bésame, Bésame Mucho in A

Bésame, Bésame Mucho in A

Esta es la versión en Dm de 'Bésame Mucho' de Consuelo Velázquez (1940), popularizada para guitarristas que prefieren tocarla en tono más agudo. La misma progresión clásica del flamenco (Dm-E7-Am) con el característico turnaround en La mayor menor da una textura más oscura e intensa. Grabada por The Beatles en sus primeras audiciones para EMI en 1962.

Bésame, Bésame Mucho in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to B (ascending whole step), B to E (ascending perfect fourth), E to E (ascending unison), E to D (descending whole step), D to C (descending whole step), C to G (descending perfect fourth). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to A by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.