Ran Kan Kan in A

Tito Puente(1949)mamboMambo ♩= 202
Do Re MiC D E
A
Instrument
GuitarUkuleleBassPiano
A
B
C
D
E
F
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A
Em7
A

Chord Diagrams — Ran Kan Kan in A (Guitar)

Ran Kan Kan in A

Tito Puente's breakout 1949 mambo, recorded live at the Palladium. The entire chart is built on a relentless D / Am7 two-chord montuno vamp — the harmonic engine of Afro-Cuban mambo. Sectional contrasts come from orchestration (vibes, brass, piano montuno) rather than chord changes, making it a masterclass in mambo rhythm and texture.

Ran Kan Kan in A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to E (descending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

mambo4/4 · 24 bars · Form: ABCDEF

Chords: A, Em7.