Sway (¿Quién Será?) in F#

Sway (¿Quién Será?) in F#

Pablo Beltrán Ruiz compuso 'Quién Será' en 1953 para el cantante Acerina. Dean Martin la grabó en inglés como 'Sway' en 1954 y llegó al Top 10 en EE.UU. Michael Bublé la revivió en 2003. El mambo cha-cha festivo con su ostinato de Am-E7 es uno de los ritmos latinos más conocidos en el mundo anglosajón, y 'Sway' figura en innumerables bandas sonoras de Hollywood.

Sway (¿Quién Será?) in F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to C# (descending perfect fourth), C# to B (descending whole step), B to A (descending whole step), A to E (descending perfect fourth), E to F# (ascending whole step). The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to F# by unison.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.