Garota de Ipanema in E

Antônio Carlos Jobim / Vinícius de Moraes(1962)bossa-novaBossa-nova moderato
Do Re MiC D E
E
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Emaj7
F♯7
F♯m7
F7
Emaj7
F♯7
F♯m7
F7
Emaj7
F♯7
F♯m7
F7
Emaj7
F♯7
F♯m7
F7
Fmaj7
A♯7
Fm7
C♯7
F♯m7
D7
G♯m7
C♯7
Emaj7
F♯7
F♯m7
F7
Emaj7
F♯7
F♯m7
F7

Chord Diagrams — Garota de Ipanema in E (Guitar)

Garota de Ipanema in E

Antônio Carlos Jobim y Vinícius de Moraes compusieron 'Garota de Ipanema' en 1962 inspirados en Helô Pinheiro, una joven que pasaba por el Bar Veloso en Ipanema. Grabada con João Gilberto y Astrud Gilberto para el álbum 'Getz/Gilberto' (1964), ganó el Grammy a la canción del año. Es la segunda canción más grabada en la historia, después de 'Yesterday' de The Beatles.

Garota de Ipanema in E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to F# (ascending whole step), F# to F# (ascending unison), F# to F (descending half step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to C# (descending major third), C# to D (ascending half step), D to G# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to E by major third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 32 bars · Form: AABA

Chords: Emaj7, F♯7, F♯m7, F7, Fmaj7, A♯7, Fm7, C♯7, D7, G♯m7.