Garota de Ipanema in G

Antônio Carlos Jobim / Vinícius de Moraes(1962)bossa-novaBossa-nova moderato
Do Re MiC D E
G
Instrument
GuitarUkuleleBassPiano
A
A
B
A
Gmaj7
A7
Am7
G♯7
Gmaj7
A7
Am7
G♯7
Gmaj7
A7
Am7
G♯7
Gmaj7
A7
Am7
G♯7
G♯maj7
C♯7
G♯m7
E7
Am7
F7
Bm7
E7
Gmaj7
A7
Am7
G♯7
Gmaj7
A7
Am7
G♯7

Chord Diagrams — Garota de Ipanema in G (Guitar)

Garota de Ipanema in G

Antônio Carlos Jobim y Vinícius de Moraes compusieron 'Garota de Ipanema' en 1962 inspirados en Helô Pinheiro, una joven que pasaba por el Bar Veloso en Ipanema. Grabada con João Gilberto y Astrud Gilberto para el álbum 'Getz/Gilberto' (1964), ganó el Grammy a la canción del año. Es la segunda canción más grabada en la historia, después de 'Yesterday' de The Beatles.

Garota de Ipanema in G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to A (ascending whole step), A to A (ascending unison), A to G# (descending half step), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to E (descending major third), E to F (ascending half step), F to B (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to G by major third.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

bossa-nova4/4 · 32 bars · Form: AABA

Chords: Gmaj7, A7, Am7, G♯7, G♯maj7, C♯7, G♯m7, E7, F7, Bm7.