Tico-Tico no Fubá in B

Tico-Tico no Fubá in B

Zequinha de Abreu compuso 'Tico-Tico no Fubá' en 1917, y se convirtió en la pieza de choro brasileño más grabada del mundo. Carmen Miranda la popularizó en Hollywood en los años 40 y desde entonces es sinónimo de virtuosismo y alegría brasileña. El choro en La menor — con su velocidad vertiginosa y su alternancia entre la menor y el Do mayor relativo — es un banco de pruebas insuperable para cualquier guitarrista.

Tico-Tico no Fubá in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to E (descending whole step), E to D (descending whole step), D to A (descending perfect fourth). The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from A to B by whole step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.