Toda una Vida in B

Osvaldo Farrés(1946)boleroBolero lento
Do Re MiC D E
B
Instrument
GuitarUkuleleBassPiano
A
A
B
A
B
G♯m
C♯m
F♯7
B
G♯7
C♯m
F♯7
B
G♯m
C♯m
F♯7
B
G♯7
C♯m
F♯7
E
Em
B
G♯7
C♯m7
F♯7
B
F♯7
B
G♯m
C♯m
F♯7
B
G♯7
C♯m
F♯7

Chord Diagrams — Toda una Vida in B (Guitar)

Toda una Vida in B

Osvaldo Farrés, el mismo compositor de 'Quizás, Quizás, Quizás', escribió 'Toda una Vida' en 1946. Nat King Cole, Pedro Vargas y Trío Los Panchos la convirtieron en uno de los boleros clave de la era de oro cubana. La frase 'toda una vida estaría contigo' — quizás la declaración de amor más completa del idioma — descansa sobre la progresión I-VI-II-V en Do mayor con esa sombra de Fm que la hace irresistible.

Toda una Vida in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to E (descending major third), E to E (ascending unison), E to C# (descending minor third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to B by whole step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

bolero4/4 · 32 bars · Form: AABA

Chords: B, G♯m, C♯m, F♯7, G♯7, E, Em, C♯m7.