Volver in B

Carlos Gardel / Alfredo Le Pera(1935)tangoTango moderato
Do Re MiC D E
B
Instrument
GuitarUkuleleBassPiano
A
A
B
A
B
F♯7
B
F♯7
B
G♯m7
C♯m7
F♯7
B
F♯7
B
F♯7
B
G♯m7
C♯m7
F♯7
E
B
C♯7
F♯7
B
G♯m
C♯m
F♯7
B
F♯7
B
F♯7
B
G♯m7
C♯m7
F♯7

Chord Diagrams — Volver in B (Guitar)

Volver in B

Carlos Gardel y Alfredo Le Pera escribieron 'Volver' para la película 'El día que me quieras' (1935). Gardel murió ese mismo año en Medellín, y la canción se convirtió en su testamento artístico. 'Volver, con la frente marchita' resume la nostalgia del inmigrante rioplatense. Pedro Almodóvar tituló su película con este nombre en 2006. El tango más reconocido junto con 'La Cumparsita'.

Volver in B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to F# (descending perfect fourth), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to C# (descending minor third), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to B by whole step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

tango4/4 · 32 bars · Form: AABA

Chords: B, F♯7, G♯m7, C♯m7, E, C♯7, G♯m, C♯m.