F Major Sharp Eleventh (lydian) Mandolin Arpeggio
Mandolin arpeggio — fretboard diagram
F Major Sharp Eleventh (lydian) Arpeggio — Notes and Intervals
Notes: F, A, C, E, G, B
Intervals: 1P, 3M, 5P, 7M, 9M, 11A
Formula: 2W-WH-2W-WH-2W
Number of notes: 6
Also known as: maj9#11, Δ9#11, ^9#11
The F Major Sharp Eleventh (lydian) arpeggio contains 6 notes (F, A, C, E, G, B). Use the interactive fretboard above to explore this arpeggio on Mandolin with different tunings and fret ranges.
When to Use the F Major Sharp Eleventh (lydian) Arpeggio
Play the F Major Sharp Eleventh (lydian) arpeggio whenever a F Major Sharp Eleventh (lydian) chord appears in a progression. Unlike scales (which include passing tones), arpeggios guarantee every note you play IS a chord tone, making your solo sound harmonically precise and intentional.
Arpeggio vs. Scale
The F Major Sharp Eleventh (lydian) arpeggio uses 6 notes (F, A, C, E, G, B) while the full scale uses 7. The arpeggio is a subset — think of it as the skeleton of the scale. Practice alternating between the arpeggio and the full scale to develop a melodic vocabulary that mixes chord tones with passing tones.
How to Play F Major Sharp Eleventh (lydian) Arpeggio on Mandolin
Locate F on your instrument and play through the 6 notes of the Major Sharp Eleventh (lydian) arpeggio (F, A, C, E, G, B) slowly, ensuring each tone rings clearly before connecting them at speed.
The F Major Sharp Eleventh (lydian) arpeggio outlines a F major chord and works perfectly over F, Fmaj7, F6 harmonies. It is a foundational arpeggio for soloing over major-key progressions and emphasizes the bright, resolved character of the major triad.
Practice Routine
Practice the F Major Sharp Eleventh (lydian) arpeggio in different octaves, starting low and working up. Then try displacing the octaves — play the root low, the A an octave higher, and continue leaping. This trains your ear to hear the intervals (1P, 3M, 5P, 7M, 9M, 11A) in any register.
Mandolin Tips
Practice the F Major Sharp Eleventh (lydian) arpeggio on your instrument at a slow, comfortable tempo, focusing on clean articulation of each of the 6 tones before gradually increasing speed.