C Locrian Guitar Scale
Guitar scale in 7-string tuning — fretboard diagram
C Locrian in 7-string — Notes and Intervals
The C Locrian scale is the seventh and most unstable mode of the major scale. On Guitar, the notes are C, Db, Eb, F, Gb, Ab, Bb. It sounds highly dissonant and unresolved, as its home chord is a diminished triad. While rare as a primary key, it is a crucial technical tool for jazz musicians improvising over half-diminished chords in tension-heavy passages. The diatonic chords of C Locrian are Cm7b5, DbMaj7, Ebm7, Fm7, GbMaj7, Ab7, Bbm7. Commonly used in Jazz, Metal, Experimental, Avant-Garde. Notable players include John Coltrane, Meshuggah, Dream Theater. Use over m7b5 (half-diminished) chords. Essential for jazz ii-V-i in minor keys where the ii chord is half-diminished.
Notes: C, Db, Eb, F, Gb, Ab, Bb
Intervals: 1P, 2m, 3m, 4P, 5d, 6m, 7m
Degrees: 1 b2 b3 4 5 b6 b7
Formula: H-W-W-H-W-W-W
Number of notes: 7
Tuning: 7-string (B-E-A-D-G-B-E)
Diatonic Chords
Cm7♭5 — D♭Maj7 — E♭m7 — Fm7 — G♭Maj7 — A♭7 — B♭m7
About 7-string Tuning
The 7-string guitar adds a low B string below the standard 6-string tuning (B-E-A-D-G-B-E), extending the instrument's range into bass territory. This extra low end has become essential in progressive metal, djent, and modern heavy music, enabling crushing low-end riffs while maintaining access to standard guitar voicings on the upper strings.
Pioneered by jazz guitarist George Van Eps and later brought into the metal mainstream by Steve Vai and Korn, the 7-string guitar has become a staple of modern heavy music. Players like Tosin Abasi, Misha Mansoor, and John Petrucci have pushed the instrument's capabilities into new territory, using the extended range for complex harmonic progressions, polyrhythmic riffs, and sweeping arpeggios that span an enormous tonal range.
Notable artists: Dream Theater, Periphery, Animals as Leaders, Korn, Meshuggah
Best for: Progressive metal riffs, extended-range chord voicings, djent rhythms, and jazz fusion harmony
Musical Character
The only mode with a diminished 5th (b5) from the root, making its home chord a diminished triad. This instability means Locrian is almost never used as a key center — it is a tool for tension.