C Phrygian Dominant Guitar Scale
Guitar scale in 8-string tuning — fretboard diagram
C Phrygian Dominant in 8-string — Notes and Intervals
The C Phrygian Dominant scale, also known as the Spanish Gypsy scale, is the definitive sound of Flamenco, Klezmer, and Middle Eastern music. On Guitar, the notes are C, Db, E, F, G, Ab, Bb. It sounds exotic, passionate, and aggressive, and is a favorite for metal guitarists and composers of high-drama scores. Commonly used in Flamenco, Metal, Middle Eastern, Klezmer, Film Scores. Notable players include Marty Friedman, Paco de Lucia, Ritchie Blackmore, Al Di Meola. Use over dominant chords in flamenco/metal contexts, especially V7 in harmonic minor. The go-to for 'Spanish' or 'Arabic' sounding lines.
Notes: C, Db, E, F, G, Ab, Bb
Intervals: 1P, 2m, 3M, 4P, 5P, 6m, 7m
Degrees: 1 b2 3 4 5 b6 b7
Formula: H-WH-H-W-H-W-W
Number of notes: 7
Tuning: 8-string (F#-B-E-A-D-G-B-E)
Also known as: spanish, phrygian major
About 8-string Tuning
The 8-string guitar adds both a low B and a low F# string (F#-B-E-A-D-G-B-E), pushing the instrument's range almost into bass guitar territory. This massive tonal range has become the weapon of choice for djent, progressive metal, and experimental composers who need bone-crushing low-end and soaring highs in a single instrument.
With artists like Tosin Abasi, Meshuggah, and After the Burial leading the charge, the 8-string guitar has redefined what's possible in modern heavy music. The low F# string delivers subsonic heaviness that you can feel in your chest, while the upper strings maintain standard guitar voicings for leads and clean passages. Extended-range compositions often exploit the full span of the instrument, creating a wall of sound that covers bass, rhythm, and lead guitar roles simultaneously.
Notable artists: Meshuggah, Animals as Leaders, After the Burial, Intervals, Monuments
Best for: Djent polyrhythms, extended-range metal riffs, experimental compositions, and one-instrument arrangements spanning bass to lead
Musical Character
The major 3rd within a Phrygian framework (b2, b6, b7) creates a scale that sounds simultaneously 'eastern' and 'powerful'. The b2-3 interval (augmented 2nd) is its signature exotic leap.
Chord Progressions Using This Scale
- i – VII – VI – V (Andalusian Cadence)World / Flamenco — Tension & Drama