F Dorian Guitar Scale
Guitar scale in 8-string tuning — fretboard diagram
F Dorian in 8-string — Notes and Intervals
The F Dorian scale is the second mode of the major scale, offering a soulful and sophisticated minor sound. On Guitar, it contains the notes F, G, Ab, Bb, C, D, Eb. Because it features a major sixth, it sounds brighter and more hopeful than the natural minor. It is the go-to scale for jazz, funk, and modal blues. The diatonic chords of F Dorian are Fm7, Gm7, AbMaj7, Bb7, Cm7, Dm7b5, EbMaj7. Commonly used in Funk, Jazz, Fusion, Neo-Soul, Blues. Notable players include Miles Davis, Herbie Hancock, Carlos Santana, D'Angelo. Use over m7, m9, m11, m13 chords. The go-to scale for any minor chord in funk, jazz, and soul. Works especially well over long minor vamps.
Notes: F, G, Ab, Bb, C, D, Eb
Intervals: 1P, 2M, 3m, 4P, 5P, 6M, 7m
Degrees: 1 2 b3 4 5 6 b7
Formula: W-H-W-W-W-H-W
Number of notes: 7
Tuning: 8-string (F#-B-E-A-D-G-B-E)
Diatonic Chords
Fm7 — Gm7 — A♭Maj7 — B♭7 — Cm7 — Dm7♭5 — E♭Maj7
About 8-string Tuning
The 8-string guitar adds both a low B and a low F# string (F#-B-E-A-D-G-B-E), pushing the instrument's range almost into bass guitar territory. This massive tonal range has become the weapon of choice for djent, progressive metal, and experimental composers who need bone-crushing low-end and soaring highs in a single instrument.
With artists like Tosin Abasi, Meshuggah, and After the Burial leading the charge, the 8-string guitar has redefined what's possible in modern heavy music. The low F# string delivers subsonic heaviness that you can feel in your chest, while the upper strings maintain standard guitar voicings for leads and clean passages. Extended-range compositions often exploit the full span of the instrument, creating a wall of sound that covers bass, rhythm, and lead guitar roles simultaneously.
Notable artists: Meshuggah, Animals as Leaders, After the Burial, Intervals, Monuments
Best for: Djent polyrhythms, extended-range metal riffs, experimental compositions, and one-instrument arrangements spanning bass to lead
Musical Character
The natural 6th degree (vs b6 in Aeolian) gives Dorian its signature 'hopeful minor' character — darker than major, but brighter than natural minor.
Chord Progressions Using This Scale
- I – V – vi – IV (Pop Progression)Pop / Rock — Hope & Joy
- vi – IV – I – V (Melancholic Variation)Pop / Rock — Melancholy
- ii – V – I (Jazz ii–V–I)Jazz / Soul — Sophistication
- ii – bII7 – I (Tritone Substitution)Jazz / Soul — Mystery & Tension
- IV – V – iii – vi (Royal Road (J-Pop))World / J-Pop — Yearning & Nostalgia
- IV – V – iii – vi – ii – V – I (Japanese Circle)World / J-Pop — Complete Resolution
- i – iv – i – V (Minor Blues)Blues — Melancholy
- i – VI – III – VII (Cinematic Minor)Contemporary / Film — Dramatic & Dark
- vi – viM7 – vi7 – II (Descending Minor Cliché)Classical / Pop — Romance & Intrigue
- iv – ♭VII – I (Backdoor Cadence)Jazz / Soul — Soulful & Unexpected