G# Hungarian Minor Guitar Scale
Guitar scale in 8-string tuning — fretboard diagram
G# Hungarian Minor in 8-string — Notes and Intervals
The G# Hungarian Minor scale, also known as the Gypsy Minor, is famous for its two wide melodic gaps. On Guitar, its notes are G#, A#, B, D, D#, E, G. It sounds powerful, mysterious, and perfectly balanced, frequently appearing in classical masterworks and modern melodic metal. Commonly used in Classical, Metal, Klezmer, Film Scores, Gypsy Jazz. Notable players include Franz Liszt, Yngwie Malmsteen, Marty Friedman, Django Reinhardt. Use over m chords in gypsy jazz and neoclassical metal. Works beautifully over i-V progressions in minor keys.
Notes: G#, A#, B, D, D#, E, G
Intervals: 1P, 2M, 3m, 4A, 5P, 6m, 7M
Degrees: 1 2 b3 #4 5 b6 7
Formula: W-H-WH-H-H-WH-H
Number of notes: 7
Tuning: 8-string (F#-B-E-A-D-G-B-E)
About 8-string Tuning
The 8-string guitar adds both a low B and a low F# string (F#-B-E-A-D-G-B-E), pushing the instrument's range almost into bass guitar territory. This massive tonal range has become the weapon of choice for djent, progressive metal, and experimental composers who need bone-crushing low-end and soaring highs in a single instrument.
With artists like Tosin Abasi, Meshuggah, and After the Burial leading the charge, the 8-string guitar has redefined what's possible in modern heavy music. The low F# string delivers subsonic heaviness that you can feel in your chest, while the upper strings maintain standard guitar voicings for leads and clean passages. Extended-range compositions often exploit the full span of the instrument, creating a wall of sound that covers bass, rhythm, and lead guitar roles simultaneously.
Notable artists: Meshuggah, Animals as Leaders, After the Burial, Intervals, Monuments
Best for: Djent polyrhythms, extended-range metal riffs, experimental compositions, and one-instrument arrangements spanning bass to lead
Musical Character
Contains TWO augmented 2nd intervals (b3-#4 and b6-7), giving it an unmistakable double-exotic quality. These 'leaps' are what make it sound simultaneously Eastern European and Middle Eastern.